Shinjini Bhattacharjee‘s poems have been published, or are forthcoming in Journal of Compressed Creative Arts, Gone Lawn, Crack the Spine, Jersey Devil Press, Metazen, Red Paint Hills Poetry, Literary Orphans and elsewhere. She is also the founding editor of Hermeneutic Chaos Literary Journal.
Stacey Balkun, author of Lost City Museum, (ELJ Publications, 2016) is a New Jersey poet with her heart in the south. Raised in Piscataway, NJ, Stacey earned her MFA in Creative Writing at Fresno State before moving to New Orleans. Stacey works as a writing tutor at Delgado Community College and volunteers with several literary organizations, including One Book, One New Orleans and Big Class, Chapter 504. A 2015 Hambidge Fellow, Stacey served as Artist-in-Residence at the Great Smoky Mountains National Park. Her work has appeared in Gargoyle, Muzzle, THRUSH, and Bayou, among others. She writes for The California Journal of Women Writers at www.tcjww.org.
F. Douglas Brown of Los Angeles is the author of Zero to Three (University of Georgia Press 2014), recipient of the 2013 Cave Canem Poetry Prize, and selected by Tracy K. Smith. Mr. Brown, an educator for twenty years, teaches English at Loyola High School, an all-boys Jesuit school. He holds a MA in Literature and Creative Writing from San Francisco State University, and is both a Cave Canem and Kundiman fellow, two organizations that cultivate the poetry of African-Americans and Asians respectively. His poems have appeared in The Virginia Quarterly (VQR), Toegood Poetry, The Sugar House Review, Cura Magazine, Muzzle Magazine, Transfer Magazine and Santa Clara Review. Mr. Brown was featured in Poets and Writers Magazine as one of their Debut Poets of 2014 (Jan/Feb 2015)
Harlow Crandall is from Rochester New York where he hangs out at the dive bar Monty’s Krown. He also writes and fronts his band New City Slang. He is currently working on his MFA in poetry through Queen’s University.
Meg Eden‘s work has been published in various magazines, including Rattle, Drunken Boat, Eleven Eleven, and Gargoyle. Her poem “Rumiko” won the 2015 Ian MacMillan award for poetry, and she has four poetry chapbooks in print. She teaches at the University of Maryland. Check out her work at: www.megedenbooks.com
Alexis Rhone Fancher is the author of “How I Lost My Virginity To Michael Cohen and Other Heart Stab Poems,” (Sybaritic Press, 2014). You can find her work in Rattle, The MacGuffin, Fjords, Broadzine!, Slipstream, H_NGM_N, The Chiron Review, Menacing Hedge, Ragazine, Cactus Heart, Carbon Culture Review, The Literary Underground, and elsewhere. Her poems have been published in over twenty American and international anthologies. Her photos have been published worldwide, including spreads in River Styx, Blue Lyra, Blink-Ink, and the covers of The Mas Tequila Review and Witness. Since 2013 she’s been nominated for three Pushcart Prizes and a Best of The Net award. Alexis is Photography Editor of Fine Linen Literary Journal, and poetry editor of Cultural Weekly, where she also publishes The Poet’s Eye, a monthly photo essay about Los Angeles. www.alexisrhonefancher.com
Michael Wayne Friedman is a student in the MFA in Creative Writing program at Queens University of Charlotte. He lives with his lovely wife and two bat-shit crazy dogs near Chapel Hill, North Carolina. To help pay the bills, he works as a medical writer, preparing drug regulatory and scientific documents. His poems have appeared (or are slated to appear) in Golden Walkman Magazine, Yellow Chair Review, Camel Saloon, The Second Hump Volume V, Plum Tree Tavern, East Jasmine Review, Silver Birch Press, Eunoia Review, and Stray Branch.
Keayva Mitchell is a twenty-two year old currently living in Long Beach, California. Among the many jobs she holds she is an associate editor for a female executives magazine, as well as a sometimes blogger for The Poetry Lab. Her favorite poets include Terrence Hayes, Cristin O’Keefe-Aptowicz, and Rachel McKibbens. She thinks you’re cool.
Cameron Steele is in the second year of her masters in poetry at the University of Nebraska-Lincoln. Her poems and creative non-fiction are forthcoming or have appeared in Red Paint Hill, Ivy Hall Review and Northern Colorado Writers’ “Pooled Ink” edition. Her first chapbook “Attribution” was published in 2014 by the South Dakota State Poetry Society, and her poem “Dreaming of Ducks” won the Academy of American Poets College Award in 2010.
Gillian Wegener‘s chapbook, Lifting One Foot, Lifting the Other was published by In the Grove Press in 2001, and her first full-length collection of poetry, The Opposite of Clairvoyance was published in 2008 by Sixteen Rivers Press. In 2011, she co-edited More Than Soil, More Than Sky: The Modesto Poets (Quercus Review Press). Wegener lives in Modesto where she coordinates and hosts the monthly 2nd Tuesday Reading Series, is founding president of the Modesto-Stanislaus Poetry Center, teaches creative writing to girls in juvenile hall, and serves as the Poet Laureate for the city of Modesto.